DATELINE: May 5, 2009, Chicago
As reported earlier this week, we attended a panel discussion on Saturday featuring Michael Rush, the soon-to-be ex-director of Brandeis’s Rose Museum. Rush’s contract expires next month and there are no plans to renew it, according to Rush and others. David Itzkoff, Criticism of Interim Report on Brandeis Art Museum, N.Y. Times (May 4, 2009).
The panel discussion at Chicago’s Artropolis focused on the problems of the Rose and other museums in difficult economic times. You may recall that on January 26 of this year Brandeis’s board of trustees announced their decision to close the Rose Museum and sell some 6,000 works of art with the hope of bringing in $350 million in needed cash. The trustees' secretive deliberations resulted in a public uproar, forcing Brandeis to reverse course, at least in its public statements. Plans for the sale have been put on hold and there are claims that the museum will remain open or be repositioned.
Brandeis constituted a committee (the "Committee") to explore the future of the Rose, aptly named the Future of the Rose Committee. On April 30, 2009, the Committee...
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issued an interim Report (the "Report"). Jerry Samet, a Brandeis professor of philosophy, chairs the Committee. Membership includes a student, the assistant provost, the director of the office of arts, a graduate student, a vice-president of the Brandeis Alumni Association, two fine arts professors, and a member of the Rose's board of overseers. Based on titles, the committee looks representative but when we asked Rush about the Report last Saturday, he was less than complimentary. He described the committee as equivalent to a committee created by Joseph Stalin to explore the future of democracy in Russia. His views are shared by Jonathan Lee, the chair of the Rose’s board of overseers, who has also referred to show committees organized by Stalin when describing the Committee. Rose Committee Votes in Favor of Brandeis Administration, ArtInfo (May 4, 2009). Lee previously had told the Boston Globe that, "We didn't get to pick who represents us." He called the people selected by Brandeis as, "all hand-picked people by the administration." Geoff Edgers, Panel Backing Brandeis Officials Formed to Look at Possible Art Sale (Apr. 1, 2009).
After reading the Report, we aren’t sure what the Committee's position is, but the report is strong evidence that the Committee has so far failed to grapple with the core issues. What is particularly stunning about the report is its meandering tone. This is not a well-articulated summary of a committee’s actions or preliminary thinking. It is stream-of-consciousness writing. Brandeis should be embarrassed by this report.
A. The Committee Acknowledges Possibility of Sales, But Refuses to Take a Position. The Report acknowledges the possibility that Brandeis will sell some of the artwork. The Committee also notes that people have advised that a partial sale of the collection would end the Rose’s viability as a museum. A statement in the Report clearly infers that some committee members oppose any sales of work. The Report, however, takes no position on this fundamental issue, stating:
But we understand the responsibility for such a decision to lie with the Board and the Administration. Our job is to help figure out how best to go on, given that such sales might occur.
The absence of any dissent by those on the Interim Committee who oppose sales must be particularly galling to Rush.
But the Overseers have no fiduciary role and serve in an advisory capacity. The Rose Art Museum Board of Overseers By-Laws make this plain:
The Rose Art Museum Board of Overseers is an advisory body appointed by the President of the University to advise the Director and to provide support with respect to collections, programs, fundraising, and other matters pertaining to the long-term goals and mission of the Museum.
The Rose is a part of the University. The governance and fiduciary responsibilities for the Rose, and for every other unit of the University, rest with the University administration and ultimately with the Board of Trustees.
Following this logic can lead to only one conclusion: The Committee, itself, has no basis for its existence because, like the Rose’s board of overseers, it isn’t comprised of fiduciaries, either. By the way, we dispute the fact that members of advisory committees necessarily lack fiduciary duties in all cases.
Because of a projected 30% decline in the Rose’s endowment, the Committee concludes that the Rose most likely will be unable to cover its direct costs. The Committee also notes that turmoil has hurt fundraising. That raises a fundamental issue of framing--but not picture framing. Had the trustees come out and said that the university could no longer support any portion of the Rose’s activities, Brandeis and the Rose could have instituted a campaign to keep the Rose open through an emergency capital campaign. But who would give to the Rose now, given the January 26 announcement? In all likelihood, the hasty decision by the Brandeis trustees cost both Brandeis and the Rose a fundraising opportunity.
G. The Big Contradiction. Further contradicting earlier statements, the Report states:
We are not yet at the point at which we can articulate options for the future of the Rose. Our thinking is still evolving as we grapple with the nuances and complexities of the issues at hand, as we gather more information and ideas, and as we talk amongst ourselves. But we do understand that, although not desirable, it is possible to sell works of art for budget relief and to remain a public museum. We have been considering how best to go ahead on both these fronts.
The Committee acknowledged early on in the Report that the Committee had been told that sales raised serious questions as to whether the Rose could continue to function as a museum. The above-quoted passage contradicts what the committee was told. In the ensuing pages of the Report, the committee offered no evidence that what it has been told is false. So how can it reach this conclusion?
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